Walter Savage Landor.
(1775–1864). |
Corinna, from Athens, to Tanagra |
| The Yacht |
| Ianthe |
| Her Name |
| The Gifts Return’d |
| The Maid’s Lament |
| The Dragon-fly |
| To Miss Arundell |
| Rose Aylmer |
| On a Child |
| To His Verse |
| The Kiss |
| The Wall-flower |
| On the Death of Southey |
| On His Own Death |
| His Epitaph |
| Finis |
Samuel Rogers.
(1763–1855). |
A Wish |
Ebenezer Elliott.
(1781–1849). |
Plaint |
William Stanley Roscoe.
(1782–1843). |
To Spring: On the Banks of the Cam |
Leigh Hunt.
(1784–1859). |
The Nun |
| Jenny Kiss’d Me |
| Abou Ben Adhem |
John Kenyon.
(1784–1856). |
Champagne Rosée |
Bryan Waller Procter (Barry Cornwall).
(1787–1874). |
Hermione |
| For a Fountain |
Richard Harris Barham (Thomas Ingoldsby).
(1788–1845). |
Last Lines |
Sir Aubrey de Vere.
(1788–1846). |
The Right Use of Prayer |
Fitz-Greene Halleck.
(1790–1867). |
On His Friend, Joseph Rodman Drake |
John Keble.
(1792–1866). |
Balaam |
| November |
John Clare.
(1793–1864). |
Graves of Infants |
| Song: ‘Love lives beyond the tomb’ |
| Written in Northampton County Asylum |
John Gibson Lockhart.
(1794–1854). |
Lines: ‘When youthful faith hath fled’ |
William Cullen Bryant.
(1794–1878). |
The Forest Maid |
| Thanatopsis |
George Darley.
(1795–1846). |
Song: ‘It is not Beauty I demand’ |
| The Phoenix |
| Love’s Likeness |
| The Lyre, I |
| The Lyre, II |
| On the Death of a Recluse |
| Song: ‘Sweet in her green dell the flower of beauty slumbers’ |
Thomas Carlyle.
(1795–1881). |
The Sower’s Song |
Hartley Coleridge.
(1796–1849). |
Song: ‘She is not fair to outward view’ |
| To a Lofty Beauty, from her Poor Kinsman |
| May, 1840 |
Thomas Hood.
(1799–1845). |
Ode to the Moon |
| Fair Ines |
| Time of Roses |
| The Death-bed |
| Ruth |
| The Bridge of Sighs |
| The Song of the Shirt |
Thomas Babington, Lord Macaulay.
(1800–1859). |
A Jacobite’s Epitaph |
Sir Henry Taylor.
(1800–1886). |
Elena’s Song |
| Song: ‘The bee to the heather’ |
| Women Singing |
Caroline Clive.
(1801–1873). |
Conflict |
William Barnes.
(1801–1886). |
Woodlands |
| The Oak-tree |
| The Old House |
| The Turnstile |
| The Wife A-lost |
| Evening, and Maidens |
| The Head-stone |
John Henry Newman.
(1801–1890). |
Rest |
| Chorus of the Elements |
Winthrop Mackworth Praed.
(1802–1839). |
The Vicar |
| Mater Desiderata |
Sara Coleridge.
(1802–1852). |
The Mother |
| Song: ‘He came unlook’d for, undesir’d’ |
Gerald Griffin.
(1803–1840). |
Eileen Aroon |
James Clarence Mangan.
(1803–1849). |
Dark Rosaleen |
| The Fair Hills of Eiré, O |
| The Karamanian Exile |
| The Three Khalandeers |
| Gone in the Wind |
| To Amine |
| Advice against Travel |
| The World: A Ghazel |
| The Nameless One |
Thomas Lovell Beddoes.
(1803–1849). |
Mariners’ Song |
| Dirge |
| Dream-Pedlary |
| Bridal Song to Amala |
| Wolfram’s Song |
Lord Edward Bulwer-Lytton.
(1803–1873). |
Absent Yet Present |
| Nydia’s Song |
Charles Swain.
(1801–1874). |
The Field-path |
Ralph Waldo Emerson.
(1803–1882). |
Wood-notes |
| Fore-runners |
| Days |
| Give All to Love |
| Brahma |
Richard Henry Hengist Horne.
(1802–1884). |
The Plough |
| Solitude and the Lily |
Charles Whitehead.
(1804–1862). |
The Lamp |
Robert Stephen Hawker.
(1803–1875). |
The First Fathers |
| The Song of the Western Men |
| Death Song |
| King Arthur’s Waes-hael |
Lord Beaconsfield.
(1804–1881). |
Wellington |
Edward Walsh.
(1805–1850). |
Lament |
Francis Sylvester Mahony (Father Prout).
(1804–1866). |
The Bells of Shandon |
Thomas Wade.
(1805–1875). |
The True Martyr |
Elizabeth Barrett Browning.
(1806–1861). |
Farewells from Paradise |
| Cowper’s Grave |
| Praise of Earth |
| Confessions |
| The Mask |
| Grief |
| Mystery |
| A Musical Instrument |
| Sonnets from the Portuguese |
| I. ‘Unlike are we, unlike, O princely Heart!’ |
| II. ‘What can I give thee back, O liberal’ |
| III. ‘Go from me. Yet I feel that I shall stand’ |
| IV. ‘If thou must love me, let it be for naught’ |
| V. ‘When our two souls stand up erect and strong’ |
| Inclusions |
| My Kate |
| The Best |
| The North and the South |
Nathaniel Parker Willis.
(1806–1867). |
Two Women |
Henry Wadsworth Longfellow.
(1807–1882). |
The Slave’s Dream |
| To an Old Danish Song-book |
| The Galley of Count Arnaldos |
| Simon Danz |
| The Flight into Egypt |
| Autumn |
| Chaucer |
Richard Chenevix Trench.
(1807–1886). |
I. Retirement |
| II. Gibraltar |
John Greenleaf Whittier.
(1807–1892). |
Memories |
| My Playmate |
| The Henchman |
| Song of Slaves in the Desert |
| The Barefoot Boy |
| The Friend’s Burial |
| All’s Well |
| In Memory of James T. Fields |
Frederick Tennyson.
(1807–1898). |
Harvest Home |
| The Holy Tide |
Helen Selina, Lady Dufferin Sheridan.
(1807–1867). |
Lament of the Irish Emigrant |
Caroline Elizabeth Sarah (Sheridan) Norton.
(1808–1877). |
Love Not |
Charles Tennyson Turner.
(1808–1879). |
The Lattice at Sunrise |
| Letty’s Globe |
Edgar Allan Poe.
(1809–1849). |
To Helen |
| Annabel Lee |
| For Annie |
| The Sleeper |
| To One in Paradise |
| The Haunted Palace |
Edward Fitzgerald.
(1809–1883). |
Old Song: ‘’Tis a dull sight’ |
| The Three Arrows |
| From Omar Khayyám |
Richard Monckton Milnes, Lord Houghton.
(1809–1885). |
The Men of Old |
Alfred, Lord Tennyson.
(1809–1892). |
The Lady of Shalott |
| Mariana |
| Sir Galahad |
| The Miller’s Daughter |
| Edward Gray |
| St. Agnes’ Eve |
| Songs from ‘The Princess’, I |
| Songs from ‘The Princess’, II |
| Songs from ‘The Princess’, III |
| Songs from ‘The Princess’, IV |
| Songs from ‘The Princess’, V |
| Come down, O Maid |
| Ode on the Death of the Duke of Wellington |
| Three Songs from ‘Maud’, I |
| Three Songs from ‘Maud’, II |
| Three Songs from ‘Maud’, III |
| The Daisy |
| In the Valley of Cauteretz |
| In the Garden at Swainston |
| Crossing the Bar |
Frances Anne Kemble.
(1809–1893). |
Dream Land |
| Faith |
Oliver Wendell Holmes.
(1809–1894). |
The Last Leaf |
| The Chambered Nautilus |
John Stuart Blackie.
(1809–1895). |
My Loves |
Sir Samuel Ferguson.
(1810–1886). |
Cean Dubh Deelish |
| The Fair Hills of Ireland |
| Cashel of Munster |
| The Welshmen of Tirawley |
Sir Francis Hastings Doyle.
(1810–1888). |
The Private of the Buffs |
| The Epicurean |
William Makepeace Thackeray.
(1811–1863). |
The Ballad of Bouillabaisse |
| The King on the Tower |
Henry Ellison.
(1811–1880). |
Fall of the Year |
Alfred Domett.
(1811–1887). |
A Maori Girl’s Song |
| A Christmas Hymn, 1837 |
Robert Browning.
(1812–1889). |
The Wanderers |
| Pippa’s Song |
| Misconceptions |
| The Laboratory |
| Love among the Ruins |
| Love in a Life |
| Life in a Love |
| In a Gondola |
| Parting at Morning |
| The Lost Mistress |
| The Last Ride together |
| Lyric Love |
| Home-thoughts, from Abroad |
| Home-thoughts, from the Sea |
| Johannes Agricola in Meditation |
| The Ancient Doctrine |
| Rabbi Ben Ezra |
| Prospice |
| Epilogue |
William Bell Scott.
(1811–1890). |
The Witch’s Ballad |
William James Linton.
(1812–1897). |
Faint Heart |
William Edmondstoune Aytoun.
(1813–1865). |
Hermotimus |
Thomas Osborne Davis.
(1814–1845). |
O, the Marriage! |
Aubrey Thomas de Vere.
(1814–1902). |
Song: ‘Seek not the tree of silkiest bark’ |
| The Sun-God |
| Epitaph |
Frederick William Faber.
(1814–1863). |
The World Morose |
Thomas Westwood.
(1814–1888). |
Night of Spring |
Charles Mackay.
(1814–1889). |
The Holly Bough |
John Campbell Shairp.
(1819–1885). |
The Bush aboon Traquair |
Philip James Bailey.
(1816–1902). |
My Lady |
Henry David Thoreau.
(1817–1862). |
The Great Adventure |
| Love |
Denis Florence Mac Carthy.
(1817–1882). |
Lament |
Wathen Marks Wilks Call.
(1817–1890). |
Hymn: ‘When by the marbled lake I lie and listen’ |
| The People’s Petition |
| Renunciation |
John Mason Neale.
(1818–1866). |
Jerusalem |
Thomas Toke Lynch.
(1818–1871). |
Reinforcements |
Emily Brontë.
(1818–1848). |
Stanzas: ‘Often rebuked, yet always back returning’ |
| The Old Stoic |
| The Prisoner |
| My Lady’s Grave |
| Warning and Reply |
| Last Lines |
Ernest Charles Jones.
(1819–1869). |
The Song of the Lower Classes |
Arthur Hugh Clough.
(1819–1861). |
Qua cursum ventus |
| Where Lies the Land? |
| Isolation |
| The Latest Decalogue |
| Say Not the Struggle Naught Availeth |
Charles Kingsley.
(1819–1875). |
Hey, Nonny! |
| The Old Song |
Julia Ward Howe.
(1819–1910). |
Battle Hymn of the American Republic |
George Eliot (Mary Ann Cross).
(1819–1880). |
The Choir Invisible |
James Russell Lowell.
(1819–1891). |
The Courtin’ |
| Auspex |
Walt Whitman.
(1819–1892). |
The Beasts |
| On the Beach at Night |
| The Brown Bird |
Charles Dent Bell.
(1818–1898). |
Solemn Rondeau |
John Ruskin.
(1819–1900). |
Trust Thou Thy Love |
Ebenezer Jones.
(1820–1860). |
When the World Is Burning |
| The Hand |
Menella Bute Smedley.
(1820–1877). |
Wind Me a Summer Crown |
Frederick Locker-Lampson.
(1821–1895). |
To My Grandmother |
| At Her Window |
| Anonymous. |
Epitaph of Dionysia |
Dora Greenwell.
(1821–1882). |
The Battle-flag of Sigurd |
| The Man with Three Friends |
William Benjamin Philpot.
(1823–1889). |
Maritae Suae |
Matthew Arnold.
(1822–1888). |
The Forsaken Merman |
| The Song of Callicles |
| Cadmus and Harmonia |
| Dover Beach |
| Isolation |
| Requiescat |
| The Scholar-Gipsy |
| Thyrsis |
| Austerity of Poetry |
| Shakespeare |
| From the Hymn of Empedocles |
| The Last Word |
William Caldwell Roscoe.
(1823–1859). |
Parting |
| Spiritual Love |
| The Poetic Land |
William Brighty Rands.
(1823–1882). |
Praise and Love |
| The World: A Child’s Song |
| The Thought |
| The Flowers |
George Henry Boker.
(1823–1890). |
Dirge for a Soldier |
William Johnson Cory.
(1823–1892). |
An Invocation |
| Anterôs |
| Heraclitus |
| Remember |
Coventry Patmore.
(1823–1896). |
Woman |
| Thoughts |
| The Kiss |
| Departure |
| The Toys |
| A Farewell |
| Magna Est Veritas |
| The First Spousal |
| Auras of Delight |
Sydney Dobell.
(1824–1874). |
The Ballad of Keith of Ravelston |
| Isabel |
| Return! |
| An Even-song |
| Eden-gate |
| Sonnets. America |
William Allingham.
(1824–1889). |
The Fairies |
| The Lover and Birds |
| A Memory |
George MacDonald.
(1824–1905). |
That Holy Thing |
| Dorcas |
| Mammon Marriage |
| Sonnet: ‘This infant world has taken long to make’ |
| Song: ‘Why do the houses stand’ |
Walter Chalmers Smith.
(1824–1908). |
Glenaradale |
William Alexander, Archbishop of Armagh.
(1824–1911). |
From ‘A Vision of Oxford’ |
| The Birthday Crown |
Adelaide Anne Procter.
(1825–1864). |
The Warrior to His Dead Bride |
Thomas Woolner.
(1825–1892). |
My Beautiful Lady |
Francis Turner Palgrave.
(1824–1897). |
Eutopia |
Richard Doddridge Blackmore.
(1825–1900). |
Dominus Illuminatio Mea |
Dinah Maria Mulock Craik.
(1826–1887). |
Douglas |
Mortimer Collins.
(1827–1876). |
Queen and Slave |
Robert Barnabas Brough.
(1828–1860). |
An Early Christian |
George Walter Thornbury.
(1828–1876). |
The Court Historian |
Dante Gabriel Rossetti.
(1828–1882). |
The Blessèd Damozel |
| Soul’s Beauty |
| Love Sight |
| The Choice |
Gerald Massey.
(1828–1907). |
Young Love |
George Meredith.
(1828–1909). |
Love in the Valley |
| Phoebus with Admetus |
| Melampus |
| Lucifer in Starlight |
| Dirge in Woods |
Alexander Smith.
(1830–1867). |
Scorned |
| Barbara |
Henry Kingsley.
(1830–1876). |
Magdalen |
Emily Dickinson.
(1830–1886). |
Parting |
Christina Georgina Rossetti.
(1830–1894). |
Bride Song |
| A Birthday |
| Song: ‘When I am dead, my dearest’ |
| Twice |
| Italia, Io Ti Saluto! |
| Uphill |
| Remember |
| Aloof |
| Rest |
| Bride Song |
| A Prayer |
| Passing Away |
| Marvel of Marvels |
| Wisdom |
| Last Prayer |
Jean Ingelow.
(1820–1897). |
The High Tide on the Coast of Lincolnshire, 1571 |
| Apprenticed |
| For Exmoor |
Thomas Edward Brown.
(1830–1897). |
Opifex |
| Catherine Kinrade |
| The Organist in Heaven |
| Salve! |
| My Garden |
| Preparation |
| When Love Meets Love |
E. Robert Bulwer, Lord Lytton (Owen Meredith).
(1831–1891). |
The Chess-board |
| Tempora Acta |
| The Last Wish |
Joseph Skipsey.
(1832–1903). |
The Violet and the Rose |
| A Merry Bee |
| Dewdrop, Wind and Sun |
| Mother Wept |
Sir Edwin Arnold.
(1832–1904). |
To a Pair of Egyptian Slippers |
Adam Lindsay Gordon.
(1833–1870). |
Whisperings in Wattle-boughs |
| The Sick Stockrider |
| After the Quarrel |
Robert Francis St. Clair-Erskine, Earl of Rosslyn.
(1833–1890). |
Bed-time |
John Nicol.
(1833–1894). |
Good Night |
Richard Watson Dixon.
(1833–1900). |
Song: ‘The feathers of the willow’ |
| Humanity |
Sir Lewis Morris.
(1833–1907). |
Tolerance |
| A Separation Deed |
| On a Thrush Singing in Autumn |
| Song: ‘Love took my life and thrill’d it’ |
James Thomson.
(1834–1882). |
Gifts |
| The Bridge |
| Songs |
| I. ‘Like violets pale i’ the Spring o’ the year’ |
| II. ‘My love is the flaming Sword’ |
| III. ‘Let my voice ring out and over the earth’ |
| The Vine |
| Midsummer Courtship |
| Art |
| In the Room |
| William Blake |
Roden Berkeley Wriothesley Noel.
(1834–1894). |
A Lady to a Lover |
| The Swimmer |
| The Water-Nymph and the Boy |
| Vale! |
| The Old |
George du Maurier.
(1834–1896). |
Music |
William Morris.
(1834–1896). |
Shameful Death |
| The Sailing of the Sword |
| The Eve of Crecy |
| The Judgement of God |
| Summer Dawn |
| Love Is Enough |
| Inscription for an Old Bed |
| The Message of the March Wind |
Lord de Tabley (John Byrne Leicester Warren).
(1835–1895). |
Nuptial Song |
| Ode: ‘Sire of the rising day’ |
| Chorus from ‘Medea’ |
| Fortune’s Wheel |
| The Two Old Kings |
Richard Garnett.
(1835–1906). |
Fading-leaf and Fallen-leaf |
| The Fair Circassian |
| Epigram: ‘Amid all Triads let it be confest’ |
| Nocturne |
| Sonnet—Age |
Sir Alfred Comyn Lyall.
(1835–1911). |
Studies at Delhi |
Alfred Austin.
(1835–1913). |
Primroses |
| The Lover’s Song |
| Love’s Trinity |
Thomas Ashe.
(1836–1889). |
Meet We No Angels, Pansie? |
| The City Clerk |
| A Machine Hand |
Thomas Bailey Aldrich.
(1836–1907). |
Prescience |
Theodore Watts-Dunton.
(1832–1914). |
Coleridge |
| Mother Carey’s Chicken |
Algernon Charles Swinburne.
(1837–1909). |
Chorus from ‘Atalanta’ |
| The Death of Meleager |
| Hymn to Proserpine |
| A Match |
| A Leave-taking |
| Before the Mirror |
| Hesperia |
| A Forsaken Garden |
| To Victor Hugo |
| Super Flumina Babylonis |
| A Jacobite’s Exile |
| Child’s Song |
William Dean Howells.
(1837–1920). |
Earliest Spring |
David Gray.
(1838–1861). |
My Epitaph |
Douglas Ainslie.
(b. 1838). |
Two Songs from the Sanskrit |
| I. Apprehension |
| II. The Archer |
Bret Harte.
(1836–1902). |
What the Bullet Sang |
Herman Charles Merivale.
(1839–1906). |
Aetate XIX |
John Todhunter.
(1839–1916). |
Song: ‘Bring from the craggy haunts of birch and pine’ |
| The Black Knight |
| Maureen |
| Aghadoe |
John Addington Symonds.
(1840–1893). |
Le Jeune Homme Caressant Sa Chimère |
| [Koina ta ton philon] |
| Farewell |
Augusta Webster.
(1837–1894). |
Seeds |
Thomas Hardy.
(1840–1928). |
The Darkling Thrush |
| She, to Him |
| ‘I need not go’ |
| Friends Beyond |
Wilfred Scawen Blunt.
(1840–1922). |
Song: ‘O fly not, Pleasure, pleasant-hearted Pleasure’ |
| The Desolate City |
| With Esther |
| To Manon, Comparing Her to a Falcon |
| St. Valentine’s Day |
| Gibraltar |
| Written at Florence |
| The Old Squire |
Henry Austin Dobson.
(1840–1921). |
A Garden Song |
| A Fancy from Fontenelle |
| ‘Good Night, Babette!’ |
| A Ballad to Queen Elizabeth |
| On a Fan That Belonged to the Marquise de Pompadour |
| In After Days |
William Cosmo Monkhouse.
(1840–1901). |
In Arcady |
| From ‘A Dead March’ |
| The Night Express |
Sarah Williams.
(1837–1868). |
Youth and Maidenhood |
Henry Kendall.
(1839–1882). |
September in Australia |
| Mooni |
Mathilde Blind.
(1841–1896). |
Hymn to Horus |
| Dare Quam Accipere |
| The Dead |
Robert Buchanan.
(1841–1901). |
The Faëry Reaper |
| The Pilgrim and the Herdboy |
| Judas Iscariot |
John Payne.
(b. 1841). |
Rococo |
| Of Three Damsels in a Meadow |
Arthur Gray Butler.
(1831–1909). |
Edith and Harold |
| Two Long Vacations: Grasmere |
George Hookham.
(b. 1842). |
Chamonix |
Frederic William Henry Myers.
(1843–1901). |
From ‘Teneriffe’ |
| Evanescence |
Mary M. Singleton (‘Violet Fane’).
(1843–1905). |
A May Song |
| Afterwards |
Edward Dowden.
(1843–1913). |
Renunciants |
| In the Cathedral Close |
Arthur William Edgar O’Shaughnessy.
(1844–1881). |
Ode |
| Song: ‘I made another garden, yea’ |
| The Fountain of Tears |
| Doom |
Gerard Manley Hopkins.
(1844–1889). |
The Starlight Night |
John Boyle O’Reilly.
(1844–1890). |
A White Rose |
| Experience |
Andrew Lang.
(1844–1912). |
Heliodore |
| The Odyssey |
| Almae Matres |
| Twilight on Tweed |
Ernest Myers.
(1844–1921). |
Fiorentina |
| Achilles |
Robert Bridges.
(1844–1930). |
‘Awake, my heart, to be loved’ |
| Spirits |
| A Passer-by |
| Elegy: On a Lady, Whom Grief for the Death of Her Betrothed Killed |
| Pater Filio |
| Weep Not To-day |
| Founder’s Day |
| Nightingales |
Samuel Waddington.
(1844–1923). |
The Inn of Care |
| Morning |
| Soul and Body |
Emily Henrietta Hickey.
(1845–1924). |
Song: ‘Belovèd, it is morn!’ |
Walter Crane.
(1845–1915). |
A Seat for Three: Written on a Settle |
Eugene Lee-Hamilton.
(1845–1907). |
Song: ‘Under the Winter, dear’ |
| Fairy Godmothers |
| Lost Years |
| To My Tortoise [Anagki] |
| Elfin Skates |
| The Death of Puck |
| Idle Charon |
| What the Sonnet Is |
| Wood-Song |
Emily Lawless.
(1845–1913). |
Dirge of the Munster Forest. 1581 |
James Logie Robertson (‘Hugh Haliburton’).
(1846–1922). |
Spring on the Ochils |
George Barlow.
(1847–1914?). |
The Soul |
| Spiritual Passion |
| The Dead Child |
William Ernest Henley.
(1849–1903). |
Collige Rosas |
| On the Way to Kew |
| Invictus |
| England, My England |
| Margaritae Sorori |
Edmund Gosse.
(1849–1928). |
Lying in the Grass |
| The Charcoal-Burner |
| Revelation |
| Epithalamium |
Philip Bourke Marston.
(1850–1887). |
The Rose and the Wind |
| The Old Churchyard at Bonchurch |
Robert Louis Stevenson.
(1850–1894). |
Romance |
| Alcaics: To H. F. B. |
| In the Highlands |
| Christmas at Sea |
| Wishes |
| Requiem |
Bertram Dobell.
(1842–1914). |
Microcosm |
Hardwicke Drummond Rawnsley.
(1851–1920). |
The Old Parish Church, Whitby |
Walter Herries Pollock.
(1850–1926). |
A Conquest |
Théophile Marzials.
(1850–1920). |
Song: ‘There ’s one great bunch of stars in heaven’ |
Francis William Bourdillon.
(1852–1921). |
A Violinist |
| The Night Has a Thousand Eyes |
Francis Burdett Money-Coutts.
(1852–1923). |
The Dream |
| From ‘A Little Sequence’ |
| Any Father to Any Son |
| Empires |
| Mors, Morituri Te Salutamus |
| Two Epitaphs |
Thomas Herbert Warren.
(1853–1930). |
May-day on Magdalen Tower |
| Lines for a Sundial |
Annie Matheson.
(1853–1924). |
A Song of Handicrafts |
| Love’s Cosmopolitan |
William James Dawson.
(1854–1928). |
Deliverance |
Oliver Madox Brown.
(1855–1874). |
Laura’s Song |
Fanny Parnell.
(1848–1882). |
After Death |
Edward Cracroft Lefroy.
(1855–1891). |
Echoes from Theocritus |
| I. Summer Day in Old Sicily |
| II. Ageanax |
| III. The Flute of Daphnis |
| IV. The Epitaph of Eusthenes |
| A Cricket Bowler |
| On a Spring-board |
Oscar Wilde.
(1856–1900). |
Requiescat |
Fiona MacLeod (William Sharp).
(1855–1905). |
On a Nightingale in April |
| Shule, Agrah! |
Douglas Brook Wheelton Sladen.
(1856–1947). |
Under the Wattle |
Margaret L. Woods.
(1856–1945). |
March Thoughts from England |
| The Mariners |
| Genius Loci |
John Davidson.
(1857–1909). |
Song: ‘The boat is chafing at our long delay’ |
| Holiday |
| The Merchantman |
| In Romney Marsh |
| A Runnable Stag |
T. W. Rolleston.
(1857–1920). |
The Dead at Clonmacnois |
Agnes Mary Frances Duclaux (Robinson-Darmesteter).
(1857–1944). |
Le Roi est Mort |
| Cockayne Country |
| Celia’s Home-coming |
| Retrospect |
May Probyn.
(1856–1909). |
‘Is It Nothing to You’ |
| Christmas Carol |
William Watson.
(1858–1935). |
Song: ‘April, April’ |
| Ode in May |
| Autumn |
| Vita Nuova |
| The Great Misgiving |
Robert Offley Ashburton Crewe-Milnes, Marquess of Crewe.
(1858–1945). |
Seven Years |
Sir James Rennell Rodd.
(1858–1941). |
A Roman Mirror |
Francis Thompson.
(1859–1907). |
Daisy |
| The Mistress of Vision |
| From the Night of Forebeing |
| ‘Ex Ore Infantium’ |
Henry Charles Beeching.
(1859–1919). |
Prayers |
| Going down Hill on a Bicycle |
| The Blackbird |
| Accidia |
| Knowledge after Death |
Ernest Rhys.
(1859–1946). |
Diana |
| An Autobiography |
Amy Levy.
(1861–1889). |
A London Plane-tree |
| New Love, New Life |
| London Poets |
Mary Elizabeth Coleridge.
(1861–1907). |
Blue and White |
| Our Lady |
| A Huguenot |
| Punctilio |
| Unwelcome |
| Mortal Combat |
| Gone |
| The King |
Bliss Carman.
(1861–1929). |
The Joys of the Road |
| In the House of Idiedaily |
| A Northern Vigil |
| Why |
Douglas Hyde.
(1860–1949). |
My Grief on the Sea |
| The Cooleen |
Maurice Hewlett.
(1861–1923). |
Rosa Nascosa |
Katharine Tynan Hinkson.
(1861–1931). |
Of an Orchard |
| Sheep and Lambs |
| A Prayer |
Matilda Betham-Edwards.
(1836–1919). |
A Valentine |
| The Pansy and the Prayer-book |
Louise Imogen Guiney.
(1861–1920). |
In Leinster |
| Carol |
| Tryste Noel |
Alice Meynell.
(1847–1922). |
The Shepherdess |
| Renouncement |
| The Two Poets |
| At Night |
Sir Henry John Newbolt.
(1862–1938). |
Drake’s Drum |
| He fell among Thieves |
| Commemoration |
| Clifton Chapel |
Arthur Christopher Benson.
(1862–1925). |
Prelude |
| Lord Vyet |
| The Phoenix |
| Amen |
Norman Gale.
(1862–1942). |
The Country Faith |
| The Shaded Pool |
Eden Phillpotts.
(1862–1960). |
Man’s Days |
Sir Gilbert Parker.
(1862–1932). |
Reunited |
Rosamund Marriott Watson.
(1860–1911). |
A South Coast Idyll |
| The Farm on the Links |
| The Last Fairy |
Sir Arthur Thomas Quiller-Couch.
(1863–1944). |
Upon New Year’s Eve |
| Upon Eckington Bridge, River Avon |
| Alma Mater |
Stephen Phillips.
(1868–1915). |
The Apparition |
Neil Munro.
(18648–1930). |
The Heather |
Herbert Trench.
(1865–1923). |
A Charge |
| ‘Come, let us make Love deathless’ |
| ‘She comes not when Noon is on the Roses’ |
William Butler Yeats.
(1865–1939). |
Where My Books Go |
| The Rose of the World |
| The Rose of Peace |
| Aedh Wishes for the Cloths of Heaven |
| Down by the Salley Gardens |
| The Cap and Bells |
| The Fiddler of Dooney |
| When You Are Old |
| The Lake Isle of Innisfree |
Rudyard Kipling.
(1865–1936). |
A Dedication |
| The Last Chantey |
| The Flowers |
| The Way through the Woods |
| L’Envoi |
| Recessional |
Arthur Symons.
(1865–1945). |
Rain on the Down |
| Emmy |
| The Shadow |
| Credo |
Richard Le Gallienne.
(1866–1947). |
Song: ‘She ’s somewhere in the sunlight strong’ |
| All Sung |
| The Second Crucifixion |
Ernest Dowson.
(1867–1900). |
Non Sum Qualis Eram Bonae Sub Regno Cynarae |
Lionel Johnson.
(1867–1902). |
Winchester |
| Oxford |
| By the Statue of King Charles at Charing Cross |
| Cadgwith |
‘A. E.’ (George William Russell).
(1867–1935). |
The Man to the Angel |
| By the Margin of the Great Deep |
| A Farewell |
| A Memory of Earth |
Laurence Housman.
(1865–1959). |
The Settlers |
Dora Sigerson Shorter.
(1866–1918). |
Ireland |
| A Bird from the West |
| The Gypsies’ Road |
Moira O’Neill.
(1864–1955). |
A Broken Song |
| The Fairy Lough |
Henry Dawson Lowry.
(1869–1906). |
Holiday |
Jane Barlow.
(1857–1917). |
Christmas Rede |
Laurence Binyon.
(1869–1943). |
Invocation to Youth |
| The Little Dancers: A London Vision |
| The Statues |
| Amasis |
| Day’s End |
T. Sturge Moore.
(1870–1944). |
Sent from Egypt with a Fair Robe of Tissue to a Sicilian Vinedresser |
| A Duet |
Arthur Shearly Cripps.
(1869–1952). |
‘Les Belles Roses Sans Mercie’ |
Hilaire Belloc.
(1870–1953). |
The South Country |
| Song, Inviting the Influence of a Young Lady upon the Opening Year |
| The Night |
Alfred Douglas.
(1870–1945). |
Impression de Nuit: London |
| To Olive |
| The Green River |
Percy Addleshaw (‘Hemingway’).
(1866–1916). |
The Happy Wanderer |
John Millington Synge.
(1871–1909). |
On an Island |
| A Question |
John Swinnerton Phillimore.
(1873–1926). |
In a Meadow |
Walter de la Mare.
(1873–1956). |
An Epitaph |
| The Listeners |
Harold Monro.
(1879–1932). |
The Wind |
| At a Country Dance in Provence |
Alfred Noyes.
(1880–1958). |
The World’s May-Queen |
| Our Lady of the Sea |
| A Japanese Love-song |
| On the Death of Francis Thompson |
| Creation |
Rachel Annand Taylor.
(1876–1960). |
The Knights to Chrysola |
| The Joys of Art |
Henry Cust.
(1861–1917). |
Non Nobis |
| Charles Granville. |
Traveller’s Hope |
M. Compton Mackenzie.
(1883–1972). |
A Song of Parting |
| The Lilies of the Field |
Frances Cornford.
(1886–1960). |
Autumn Morning at Cambridge |
Edward William Thomson.
(1849–1924). |
Aspiration |
James Stephens.
(1882–1950). |
The Red-haired Man’s Wife |
| Hate |
| The Watcher |
Richard Middleton.
(1882–1911). |
Pagan Epitaph |
| Any Lover, Any Lass |
| On a Dead Child |
John Masefield.
(1878–1967). |
Cargoes |
| Sea Fever |
| To His Mother, C. L. M. |
Wilfrid Thorley.
(1878–1963). |
Buttercups |
| Chant for Reapers |
James Elroy Flecker.
(1884–1915). |
Rioupéroux |
| War Song of the Saracens |
Sidney Royse Lysaght.
(1860–1941). |
First Pathways |
Rupert Brooke.
(1887–1915). |
Dust |
| The One Before the Last |
| Second Best |
Maurice Baring.
(1874–1945). |
[Deirioessa Kadyx] |
William H. Davies.
(1871–1940). |
Songs of Joy |
| Truly Great |
| Money |
| In May |
| Leisure |
| The Elements |
Wilfrid Wilson Gibson.
(1878–1962). |
Song: ‘If once I could gather in song’ |
| Flannan Isle |
Alice Furlong.
(1866–1946). |
My Share of the World |
Michael Field (Katherine Harris Bradley).
(1846–1914). |
The Woods Are Still |
| Renewal |
James Joyce.
(1882–1941). |
Song: ‘O, it was out by Donnycarney’ |
Ezra Pound.
(1885–1972). |
Portrait |
| Ballad for Gloom |
Gordon Bottomley.
(1874–1948). |
To Iron-Founders and Others |
Lady Margaret Sackville.
(1881–1963). |
The Apple |
| Elinor Sweetman. |
The Orchard by the Shore: A Pastoral |
George Santayana.
(1863–1952). |
The Rustic at the Play |
Ernest Radford.
(1857–1919). |
Quiet |
John Drinkwater.
(1882–1937). |
A Prayer |
Lascelles Abercrombie.
(1881–1938). |
Hymn to Love |
| Epilogue |
| Ceremonial Ode Intended for a University |
